字畫在古玩中屬于特別嬌貴的一類。其貴在于它是純藝術品，一些名人字畫更是稀世之寶。下面
收購名人字畫人員就來講講收藏名家字畫的十個問題。
Calligraphy and painting belong to a particularly delicate category in antiques. Its value is that it is a pure art, and some famous calligraphy and paintings are rare treasures. Next, the personnel who purchase famous calligraphy and painting will talk about the ten problems of collecting famous calligraphy and painting.
一、真假問題：書畫市場贗品泛濫，購買名家書畫時，應請行家掌眼，以防買來假貨。穩妥的辦法是直接從書畫家手中購求。
1、 The problem of authenticity: the market for calligraphy and painting is flooded with counterfeit goods. When buying famous calligraphy and painting, you should ask experts for their eyes to prevent buying fake goods. The safe way is to buy directly from painters and calligraphers.
二、水平問題：書畫藝術水平的高低是衡量其收藏價值的基本因素，名家之作也未必幅幅都是精品，如應酬之作、敗筆之作便無法體現其應有的藝術水平，因而與精品的價值也大相徑庭。
2、 Level problem: the level of calligraphy and painting art is the basic factor to measure its collection value. The works of famous masters may not be all fine works. For example, the works of social intercourse and the works of failure cannot reflect their due artistic level, and therefore the value of fine works is quite different.
三、問題：名家書畫的定價似乎不受物價部門的約束，書畫市場漫天要價的現象非常普遍，所以在購買名家書畫時，要了解行情，或請內行把關，以免上當。
3、 Price problem: it seems that the pricing of famous paintings and calligraphy is not subject to the restriction of the State price department. It is very common for the painting and calligraphy market to ask exorbitant prices. Therefore, when buying famous paintings and calligraphy, you should first understand the market or ask experts to check the price to avoid being cheated.
四、品相問題：品相是指書畫的“相貌”狀況，這些都是影響書畫價值的重要因素。如果購買古舊書畫，更應注意品相問題。
4、 Appearance: appearance refers to the "appearance" of calligraphy and painting, which are important factors affecting the value of calligraphy and painting. If you buy old books and paintings, you should pay more attention to the appearance.
五、尺幅問題：名家書畫的銷售有的以幅為計價單位（幅是指常規幅面，即不小于4尺3開者），有的則以平方尺為計價單位。所以同一位名家的作品，幅面越大，其價值越高。如幅面小于4尺3開的小品，其價值就不能與常規幅面的書畫相提并論。
5、 Size problem: some famous calligraphy and painting sales are priced in pieces (piece refers to the conventional size, i.e. not less than 4 feet and 3 kilometers), while others are priced in square feet. Therefore, the larger the size of the works of the same famous artist, the higher the value. If the size of the sketch is less than 4 feet and 3 kilometers, its value cannot be compared with that of the conventional size of calligraphy and painting.
六、代表作問題：所謂代表作主要是指書畫家的擅長項目，如齊白石畫蝦蟹、徐悲鴻畫馬、黃胄畫驢、李可染畫山水或牛等。對書家而言，有的以草書見長、有的以緣書見長……如果書畫家的作品不是其擅長的項目，其價值即遜一籌。
6、 Representative works: the so-called representative works mainly refer to the items that calligraphers are good at, such as Qi Baishi's painting of shrimp and crab, Xu Beihong's painting of horse, Huang Zhou's painting of donkey, Li Keran's painting of landscape or cattle, etc. For calligraphers, some are good at cursive calligraphy, and some are good at fate calligraphy... If the works of calligraphers and painters are not the items they are good at, their value is inferior.
七、鼎盛時期問題：每位書畫家一生都有創作的鼎盛時期，這一時期的書畫作品，已經形成作者的風格，并能反映其應有的藝術功底和藝術水平。而書畫家早年的臨摹作品或成名前尚未形成個人風格的作品以及晚年體弱多病氣力不支之時的作品等，其價值顯然不能與其鼎盛時期的作品同等看待。
7、 Peak period: every calligrapher and painter has a peak period of creation in his life. The calligraphy and painting works in this period have formed the style of the author and can reflect his due artistic foundation and level. However, the value of calligraphers and painters' early copying works, works that had not yet formed their personal style before they became famous, and works in their later years when they were weak and sick and were not able to support themselves, can obviously not be treated the same as the works in their heyday.
八、題款與用印問題：有的名家書畫有款無印或有印無款，或無印無款，或雖有款有印，但卻是借蓋他人閑章者，還有題上款者等等，因不能算作完善的作品，所以其價值便大打折扣。同樣的作品，長題或題詩者比窮款者價值應高一些。在古舊書畫中題上款者并不影響其價值。假如上款本身又是名人的話，反而更具價值。
8、 The problem of title and seal: some famous calligraphers and paintings have a title but no seal, or have no seal but no seal, or have a title but no seal, or borrow other people's seals. There are also those who have a title. Because they can not be regarded as perfect works, their value is greatly reduced. For the same works, those with long titles or poems should be more valuable than those with poor money. The inscription on ancient calligraphy and painting does not affect its value. If the above paragraph itself is a celebrity, it will be more valuable.
九、質地問題：書畫的質地是指作書作畫所用的紙或絹，也稱作“地子”。書畫質地的質量、使用效果以及其壽命都是影響書畫價值的因素。例如同一位名家的作品，質地是上好宣紙者，其價值應高于其他雜紙者。
9、 Texture: the texture of calligraphy and painting refers to the paper or silk used for calligraphy and painting, also known as "Earth". The quality, use effect and life span of painting and calligraphy are all factors that affect the value of painting and calligraphy. For example, if the work of the same famous artist is made of high-quality rice paper, its value should be higher than that of other miscellaneous paper.
十、裱工問題：裱工是指書畫裱件的裝裱質量。有的書畫裱件做工粗糙，或不平展，或殘脫，或有折痕，或受濕受污等等，這些情況不但影響懸掛和欣賞，而且危及書畫的壽命，也削弱了書畫應有的價值。
10、 Mounting work: mounting work refers to the mounting quality of calligraphy and paintings. Some calligraphy and painting mounts are rough in workmanship, or uneven, or broken, or creased, or wet and polluted. These conditions not only affect the hanging and appreciation, but also endanger the life of calligraphy and painting, and weaken the value of calligraphy and painting.
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